picnic (lumiere #1)
lumiere rules as follows:
* 60 seconds max.
* Fixed camera
* No audio
* No zoom
* No edit
* No effects
more here.
lumiere rules as follows:
* 60 seconds max.
* Fixed camera
* No audio
* No zoom
* No edit
* No effects
more here.
As much as I understand the rules to the lumiere videos, I would have preferred to have had sound in this one.
top.
défi pris, branché, sujet á développer:
de temps á autre(s).
top.
défi prit, branché, sujet á développer:
de temps á autre(s).
Your selection of the appropriate 60 seconds is astounding. Absolutely lovely.
Wow, dude, this is fantastic. Colors, layers, movement, what’s in the frame and what’s not, the name giving another level to it. It feels so real, and so 3 dimensional, and at the same time too beautiful to be real and like a painting.
Again! Again!
Glad you joined in the fun. As always, she is beautiful, as is your vision of our world.
precious.
A painting, that’s what I saw as well.
The perspective brought me in close to the moment, but the ‘cropping’ or clipping made me feel like and outsider, spying or something.
Beautiful.
a simplicity that defies beauty. i am spellbound by the image because there is no sound, i look at this perfect child against a clouded sapphire sky and glossy green grass.
it is a magical piece
[…] like mad and this is the best one I’ve seen (so far). permalink to the original post: picnic (lumiere #1) made by Daniel Liss website name pouringdown.tv direct link to the movie posted June 24, 2007 […]
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Wow, that was beautiful.
There were four distinct layers in there.
We watched the extra features on Eternal Sunshine of the Spotless Mind, and I was struck with how much Michel Gondry avoided special effects. He did as much as he could within camera and some amazing forced perspectives, etc. This reminded me of that style.